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1st July 2010

With Bionic, Christina Aguilera has become just the latest in a long line of artists to flirt with Ballardian ideas of human-mechanical hybridity, from the oddball compositions of the 1960s pop producer Joe Meek to the Detroit techno of Juan Atkins and Derrick May. Thanks to its wealth of cultural associations – movies, TV shows, comic books and more besides – it’s hardly surprising that this perennial sci-fi theme has proven such a seductive narrative for musicians. After all, folk singers aside, who wouldn’t want to play around with imagery that immediately places their work at the very forefront of sonic progress?

The National – Review – Thursday, July 01, 2010
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2010-07-15
Andrew Lagowski wrote
"Should we celebrate them or decry their laziness?"
I tend to be negative about many things, always pointing out reasons why things are bad. It's making me very depressed because I'm not really like that. Honestly! But I believe there is a line between pop stars stealing older ideas and calling them their own, and those generating truly original ideas. I would separate Black Eyed Peas from Christina Aguilera for example. BEP are quite original to my eyes/ears as they have embraced technology and almost allowed it to take over their music - letting the machines become part of the band. Whereas CA and countless others have looked to past genres and masters of their art and said "This style/genere was popular with the kids - how can I use their ideas and re-invent myself?". I don't believe reinvention is an example of forward thinking. I think you need to go ahead and be true to your own ideals and if people follow you, great. If not, well, at least you did it your way (no Sinatra please!). Does that make sense?
 
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